Tag Archives: wes anderson

The Also Ran’s — The Accidental Tourist (Best Picture Nominee 1988)

The accidental tourist.jpgDirected by Lawrence Kasdan

Screenplay by Lawrence Kasdan and Frank Galati, Based upon the novel by Anne Tyler

Starring William Hurt, Geena Davis and Kathleen Turner

The Accidental Tourist is a quiet, earnest story, about a travel writer (William Hurt) who specializes in creating comfortable travel experiences – the key is control and predictability.  But, it’s not merely his writing which advocates predictability – rather, his whole worldview is based on sticking things in a rut and making sure they stay in them.  And honestly, it’s a viewpoint well-earned, as his entirely family (two brothers, one sister) also seem willfully stuck in their comfortable little ruts, with their comfortable little quirks.

However, after the senseless killing of their child, the writer’s wife (Kathleen Turner) leaves him.  Shortly thereafter, a free spirit (Geena Davis), comes into his life and shakes things up.  And therein lies the central tension of the film and that thing about which the plot revolves – will the writer choose to stay in his rut?  Or will he embrace the chaos of the world? Continue reading

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There’s More Where That Came From: The Best Severed Digit Movies

imagesCAEGVH5CI don’t know what gave me the idea to do a list of the best movies with severed digits – in this case, digits is not meant in a mathematical way, but in the fingers and toes way – but since all lists are inherently arbitrary constructed and a little stupid (AFI’s 100 Years…100 Laughs, anybody?), it seemed all right just to embrace these lists for all their stupidity and pick something outre.

So, here it is, the ten best movies that prominently feature a severed finger.  Or toe.

(Incidentally, I thought about calling this ‘pieces and parts’ but chose an equally silly title.)

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Movie Lengths In History

(Author’s note: This piece was originally a four part essay that has been joined together here as one)

It’s generally accepted that since the advent of motion pictures, movies have gotten longer the further we’ve gotten away from the first motion picture. However, pinpointing the exact reason for the increase may be impossible, probably because there is no one cause. Still, while it might be impossible to pinpoint exactly why, I’ve been curious to know just how the ‘auteur theory’of filmmaking might have played into the ballooning of run times, specifically, does the more revered a director becomes, either critically or financially, result in longer films? Continue reading

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