Tag Archives: Henry Fonda

The Best Picture Project — The Departed, dir. by Martin Scorsese (2006)

Departed234.jpgDirected by Martin Scorcese

Screenplay by William Monahan, based on the film Infernal Affairs

Starrring Leonardo Dicaprio, Matt Damno, Jack Nicholson, Vera Farmiga, Ray Winstone, Alec Baldwin, Martin Sheen and Mark Wahlberg

Martin Scorsese should have an Oscar – Martin Scorsese should have a fistful of Oscars.  A fistful in both hands.  He is a legend of cinema, with talent enough that he can hop genres and eras with relative ease, making his style fit them all, no matter how disparate then may be.  Better, he’s been consistently good for more than four decades, without the flameout in quality you get from many other so-called legends.[1]  Add to that he’s a student of film and treats it legitimately, and reverently, as art, and you can see why he should have more Oscars than he know what to do with.

But he doesn’t have more Oscars than he knows what to do with – he only has the one.  Not for directing Raging Bull or Goodfellas, but as director of The Departed.

Let me ask you a question – which is worse: Continue reading

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The Best Picture Project — Terms of Endearment (1983)

Terms of Endearment, 1983 film.jpgDirected by James L. Brooks

Screenplay by James L. Brooks from the book by Larry McMurtry

Starring Shirley MacLaine, Debra Winger, Jeff Daniels and Jack Nicholson

In a way, James L Brooks is the most unappreciated man in movies, which is a funny thing to say about a guy that has three Oscars.  But when you think about it, every movie he’s made of consequence since his first — and for films of consequence since his first, there’s only two — has been singled out for attention by the Academy for everybody else associated with it, particularly those who are in it.  But Jim Brooks?  Not so much.


Broadcast News?  Three acting nominations, a Picture and Screenplay nom for Brooks, but zero wins all around.  And when you think of the movie, you don’t think of it as a Brooks film — you think of it as a Holly Hunter vehicle.  Or the last of the truly great William Hurt performances. Continue reading

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