Tag Archives: Bob Fosse

The Best Picture Project — Chicago (2002)

Chicagopostercast.jpgDirected by Rob Marshall

Screenplay by Bill Condon, based on ‘Chicago’ by Bob Fosse and Fred Ebb and ‘Chicago’ by Maurine Dallas Watkins

Starring Renee Zellweger, Catherine Zeta-Jones, Richard Gere, John C. Reilly, Queen Latifah, Taye Diggs, Christine Baranski, Dominic West, Lucy Liu and Deidre Goodwin

As with many of the films in this series – at least of the ones I’d seen before – I hadn’t laid eyes on Chicago in close to a decade before jotting down my take on it.  Sometimes, not having seen the film in years and forcing myself to revisit worked a detriment of the film, in that it made films I one enjoyed, seem a bit less than I thought they were – I’m looking at you A Beautiful Mind.  Sometimes, it only confirmed what I already knew – hello Gladiator.  So, in returning to it, Chicago faced the very real danger that while I once liked it a lot, I’d suddenly loathe it.  Fortunately – if you can call a middling response something of a fortune – I reacted to Chicago this time largely the same way I reacted to it last time.  Then, as now, I saw a film with parts I was fond of/blown away by, and parts I could have done without.  And perhaps in the most honest assessment a person can give, after having watched it again this time I suspect the DVD will do as it did before – it will go back into my collection and sit for another decade, if not more, collecting dust.

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The Best Picture Project – American Beauty (1999)

Poster image of a woman's belly with her hand holding a rose against it.Directed by Sam Mendes

Written by Alan Ball

Starring Kevin Spacey, Annette Bening, Thora Birch, Wes Bentley, Chris Cooper, Mena Suvari, Allison Janney, Peter Gallagher and Scott Bakula

I love American Beauty and couldn’t be more pleased it was chosen as Best Picture, especially since it represents the one time in the last fifteen years where the Academy was really tempted to hang it’s hat on another picture – one that was less abrasive, less divisive, had less murder, drugs, Lolita storylines, and infidelity – and chose instead to honor the more challenging film. Continue reading

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