Monthly Archives: March 2018

The Also-Ran’s Project — The Remains of the Day (Best Picture Also-Ran 1993)

Remains of the day.jpgDirected by James Ivory

Screenplay by Ruth Prawar Jhabvala, from the novel by Kazuo Ishiguro

Starring Anthony Hopkins, Emma Thompson, James Fox, Christopher Reeve and Hugh Grant

Let’s be honest: Anthony Hopkins is only ever going to be defined by one thing.  No matter what else he does in life – or did – he’s only ever going to be Hannibal Lecter first, and everything else second.  What is a bit curious here is while he might have made his take on the character, he was not the first actor to play the part.[1]  It was Brian Cox who had first crack at it, in Michael Mann’s Manhunter, and while Cox was charming, he lacked the specific menace Hopkins brought to the role.  Which is why one man’s take on it is iconic (Hopkins), while the other’s is merely mentioned in passing as a thing that happened (Cox).[2] Continue reading


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The Also-Rans Project – The Big House (Best Picture Also-Ran 1929/1930)

The Big House film poster.jpgDirected by George W. Hill

Screenplay by Frances Marion, additional dialog by Joe Farnham and Martin Flavin

Starring Chester Morris, Wallace Beery, Lewis Stone, Robert Montgomery, Leila Hyams, George F. Marion and J.C. Nugent

Old movies are just different.  That’s a fact.  They come from a different time, they come from a different era, they came from a different sensibility.

They are products of their environment.

And yet, too often people forget that.  Instead, they get too stuck in their own love of the present – or the near-present – and everything from it, and everything it does, to be able to look through the world they’re used to in order to see something of value in what come before them.  If I had a nickel for every time I’ve heard somebody complain about a movie being in black and white, or the old garish Technicolor,[1] and therefore not being worth their time, I wouldn’t have money to retire on, but I could at least get a cup of coffee. Continue reading

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The Also-Rans Project – The Emigrants, dir. by Jan Troell – (Best Picture Also-Ran 1972)

The Emigrants poster.pngDirected by Jan Troell

Screenplay by Jan Troell and Bengt Forslund, based upon the novels “The Emigrants” and “Unto A Good Land” by Vilhelm Moberg

Starring Max Von Sydow, Liv Ullmann, Eddie Axberg, Pierre Lindstedt, Allan Edwall and Monica Zetterlund

There is no way I would have ever seen The Emigrants if not for this project.  Partially that’s because I’m not super-into Swedish film in general – I do enjoy a handful of Bergman films, including The Virgin Spring, but by no means am I ‘into’ Swedish films.[1]  But also it’s because The Emigrants just happens to be a Swedish film that’s 190 minutes long.

Don’t get me wrong, I have nothing against long films.  After all, Gone With The Wind is almost 240 minutes long and it’s a top-10 for me.[2]   Plus, I’m down for foreign films.  Another top-10 of mine?  Aguirre, The Wrath of God.[3]  It’s just that when those two things intersect – extreme length and reading – it makes even the best movie a bit of a tough sit. Continue reading


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The Also-Ran’s Project – Places In The Heart (Best Picture Also-Ran 1984)

Places in the Heart (1984), poster.jpgDirected by Robert Benton

Written by Robert Benton

Starring Sally Field, Lindsey Crouse, John Malkovich, Danny Glover, Ed Harris and Amy Madigan

I wouldn’t call Sally Field an unlikely Oscar winner – I wouldn’t call anybody an unlikely Oscar winner.  After all, lot’s of people manage to capture lightening in a bottle, or just happen to be in the right place at the right time, and wind up with an Oscar.  It could happen to anybody.  It happened to Broderick Crawford, it happened to Roberto Benigni, it happened to Paul Haggis.  It’s what happens when a cultural moment coincides with the Oscars, or when some dumb schmuck gets the role tailored perfectly to their skills.


Sally Field, though, might be the most unlikely two-time Oscar winner.[1]  I mean, if I were to ask you to name a  two-time Oscar winning actor, Field’s would likely be pretty far down the list – she’s just not a person you expect to have two Oscars.  After all, she started her career in the silly sitcom, Gidget, followed it up with the equally-silly The Flying Nun, then spent several years trying to break out of that ghetto before finally having her biggest box-office success playing the second-fiddle love-interest to Burt Reynolds in Smokey and the Bandit. Continue reading


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