Directed by Steven Spielberg
Screenplan by Steve Zailian, based upon the novel by Thomas Kennealy
Starring Liam Neeson, Ben Kingsley and Ralph Fiennes
I’ll say it: Schindler’s List might be the most important film ever to win Best Picture. It represents a true cinematic achievement and, even if it was not revolutionary in the sense that Jaws was revolutionary, it full demonstrates how you can take a deadly subject matter and, by using all the tricks of the trade, can produce an important film about a tough subject without making it fee didactic.
That all being said – this is not a film you sit down to enjoy. There truly is no enjoyment here. It’s a tough film on a tough topic and there’s no enjoying that. That being said, it’s not punishing either, nor is it a chore to watch. Rather, it’s emotionally cathartic and the sort of thing you’ll put on only when you want to have your guts ripped open.
Directed by Francis Ford Coppola
Screenplay by Francis Ford Coppola and Mario Puzo, based upon the novel by Mario Puzo
Starring Al Pacino, Robert DeNiro, Diane Keaton, Talia Shire, John Cazale, Bruno Kirby, Lee Strassburg, Robert Duval, G. D. Spradlin and Harry Dean Stanton
It strikes me now that as I’ve come to the homestretch on the Best Picture Project, and looking to start my final kick, I’m facing down what might be the toughest stretch of movies, having inadvertently saved some of the longest, and some of those I’d been dreading most, for last. The streak started a few movies back with Crash (dreading), continued to The Departed (long), then on to My Fair Lady (long), leading right up to this one (long). To come, Schindler’s List (dreading for emotional reasons and my discomfort at feeling feelings), Return of the King (massive length), Cimarron (saved for basically being unavailable), and Million Dollar Baby (dread because when I saw it in the theater, the bait-and-switch made me downright hostile with it). Continue reading
Directed by George Cukor
Screenplay by Alan Jay Lerner, based upon “My Fair Lady” by Alan Jay Lerner, and “Pygmalion” by George Bernard Shaw
Starring Rex Harrison, Audrey Hepburn, Wilfrid Hyde-White and Stanley Holloway
Lessons – life is lessons. As this project has been my life in so many ways for a good five years, it stands to reason this Project is lessons. The primary? Immediate plaudits – worldly rewards, you might say – do not last. The Oscars themselves are proof of this. Though you can win one and think you’ve really become something special, the reality is that all you’re left with is a hunk of gold-plated britannium. And the gold? It’s barely on there.
What does this mean? Continue reading