52 Before 62 — #46 Let’s Make Love (1960)

Lets make love.jpegDirected by George Cukor

Written by Norman Krasna, with additional material by Hal Kanter

Starring Marilyn Monroe, Yves Montand, Tony Randall, Frankie Vaughan, and Wilfrid Hyde-White

Several entries ago we tackled what was probably the first big hit of Marilyn Monroe’s career – Niagara.  Or, at least the first hit of her career that was attributable to her.  She’d been in other films before – All About Eve, especially – but the success there was not her’s.  She was merely incidental.  Niagara, though, was the first that succeeds off of her and part of the reason for that is because Monroe is so desperately beautiful and magnetic you can’t help but want to see her.  It would’ve been insane if it failed to make money. Continue reading

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The Best Picture Project – Parasite, dir. by Bong Joon Ho (2019)

The Official Poster of Parasite.Directed by Bong Joon-Ho

Screenplay by Bong Joon-Ho, story by Bong Joon Ho and Han Jin-won

Starring Song Kang Ho, Lee Sun-Kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam, Lee Jung-eun and Jang Hye-jin

The Oscars sure are an eclectic bunch.[1]   Usually when you describe somebody eclectic it refers to their tastes, specifically to mean varied tastes.  That they like serious drama as much as they like camp.   That they like arty films as much as they like populist films.  That they like John Wayne as much as they like the anti-John Wayne.[2]  Basically, it’s meant to say a person who likes both sweet and savory.

But when applied to the Oscars, the meaning should be more along the lines of having a lack of taste.  Or, rather, a lack of knowing what taste they have.  After all, some years the Best Picture goes to an artier film like Moonlight.  Other years it’s deadly serious films like Spotlight or 12 Years a Salve.  Then in other years still, middle-brow junk masquerading as high art wins the big prize, like Crash and Green Book.[3]  It’s all just so…erratic. Continue reading

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52 Before 62 — #45 The Vikings (!958)

Vikings moviep.jpgDirected by Richard Fleischer

Screenplay by Calder Wilingham and Dale Wasserman, based upon the novel by Edwin Marshall

Starring Kirk Douglas, Tony Curtis, Ernest Borgnine, James Donald, Frank Thring, and Janet Leigh

When Kirk Douglas died a couple weeks ago it was almost literally the final expiration of old-style Hollywood stardom.  That’s what happens, I guess, when you live to 103 — whether you like it or not, your death is literally the end of something.

Douglas made his name in films from the late-1940’s onward, just before the ‘method’ style of acting came into vogue and the traditional notions of who could be, and who could not be, a movie star gave way to a system dominated more by unique faces and character actors.  In other words, the age when guys with a sense of stylization to their acting stopped winning Oscars — see e.g. Laurence Olivier — and guys with a touch of naturalism started winning.  Guys like Ernest Borgnine. Continue reading

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Oscar Ballot 2019

Oscar StatuettesWell, it’s that time of year again for the Oscars, my loyal readers.  That one event we wait for all year.  Like Christmas – second Christmas.  Only without any gifts and double the disappointment.  And while I’m a bit late to turning my ballot in, timeliness means nothing.  It’s not like the Academy actually registers my vote for anything anyway, so who cares if I get my picks out now, or next year.[1]  Still, in the spirit of adding to the discourse and nothing more, here’s my Oscar picks for 2019[2]:

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52 Before 62 — #44 Heidi (1937)

Heidi (1937 film) poster.jpgDirected by Allan Dwan

Written by Julien Josephson and Walter Ferris, from the book of the same name by Johanna Spyri

Starring Shirley Temple, Jean Herscholt, Arthur Treacher, Mary Nash, Marcia Mae Jones, and Sidney Blackmer

Shirley Temple is probably the proto-child actor.  Her, or Jackie Coogan.  One of the other.  But really, just Shirley Temple, if only because she set the standard for how a child actor’s career tends to go.  Get in the business almost at birth, make it big at a young age, only to see that career stall irretrievably at the brink of adult hood, when puberty turns the cute little kid into something the general public can’t handle, i.e. sexual. Continue reading

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52 Before 62 — #43 Butterfield 8

Butterfield8 movieposter.jpgDirected by Daniel Mann

Written by John Michael Hayes and Charles Schnee, based upon the novel by John O’Hara

Starring Elizabeth Taylor, Laurence Harvey, and Eddie Fisher

Elizabeth Taylor is a rare thing in Hollywood history – a kid actor who grew up to have an adult career.  Most only fade away before then, or just drift into fitful employment – looking at you Henry Thomas.  Some, though, carry the fame forward.  Sure, the life of, and demands of, being an actress probably warped Taylor immeasurably – how else would you possibly explain her eight marriages – and probably led to her struggles with addition.[1]  But somehow, she managed to come out of that as well as one probably could. Continue reading

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52 Before 62 — #42 Niagara (1953)

Niagara poster.jpgDirected by Henry Hathaway

Written by Charles Bracket, Richard L. Breen and Walter Reisch

Starring Marilyn Monroe, Joseph Cotton, Jean Peters and Michael Showalter

Marilyn Monroe is a legendary figure.  I won’t say she’s legendary as an actress, because that’s never really what people think about when they think about her.  She’s really legendary for her sex appeal, and as a sex symbol.

On the one hand, it’s fair she’s a legendary sex symbol – you only need to look at her, and her onscreen qualities, to get a sense of the heat she generates.  On the other hand, it’s unfair she isn’t also venerated for her acting.  After all, being a screen presence is not an easy thing to do – lots of charismatic people come across as stiff when the camera points at them but no more.  More than that, it’s hard to come across as convincingly sexy on film, which Monroe can do.  Having presence, and the wherewithal to be convincingly sexy, are skills a good actress possesses. Continue reading

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52 Before 62 — #41 The Song of Bernadette (1943)

The Song of Bernadette film poster.jpgDirected by Henry King

Screenplay by George Seaton, based upon the novel of the same name by Franz Werfel

Starring Jennifer Jones, William Eythe, Gladys Cooper, Vincent Price, Lee J. Cobb, and Charles Bickford

In cinema circles as of late, you hear a lot of complaining about how Hollywood doesn’t make films like they used to anymore.  These days it’s mostly in relation to how movies have become nothing but overhyped theme park rides – specifically, Marvel theme park rides.  And that movies for thinking adults just aren’t in Hollywood’s wheelhouse any longer.  If we’re honest, this is probably a complaint that’s been going on for the entire life of cinema, as one generation is always intent on sneering at the generations that follow it, arguing they are somehow doing things ‘wrong’.  But I digress. Continue reading

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52 Before 62 — #40 Odd Man Out (1947)

Odd-man-out-poster.jpgDirected by Carol Reed

Written by R.C. Sherriff, based upon the novel of the same name by F.L. Green

Starring James Mason, Kathleen Ryan, Robert Newton and Cyril Cusack

Believe it or not, it’s not always easy watching the movies in this series.  No, I don’t mean in terms of availability, like I’m out here picking movies that are basically unavailable and so it’s hard to watch them.  As if there is any sense to that.

No, I mean they’re difficult to watch in terms of hearing a film defined as ‘classic’, only to learn it actually doesn’t live up to the hype.  That instead of being rapt by this supposed-classic, I’m bored silly and constantly looking at your phone and counting the minutes until it’s over.  And at the end, you wonder if you just missed something about the film and it’s truly a classic, or if everybody else simply drank the Kool-Aid and you’re the only sane one left. Continue reading

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52 Before 62 — #39 3:10 To Yuma (1957)

310 to Yuma (1957 film).jpgDirected by Delmer Daves

Screenplay by Halsted Wells, based on the short story by Elmore Leonard

Starring Glenn Ford, Van Heflin, Felicia Farr, Richard Jaeckel, Henry Jones, and Robert Emhardt

A courtly outlaw, Ben Wade (Glenn Ford), robs a stagecoach in rural Arizona.  In the robbery, the stage driver winds up dead.  When a posse is formed to catch the outlaw, a local rancher, Dan Evans (Van Heflin), agrees to join.  Only, after the outlaw is caught and it’s decided to take him to a neighboring town to be put on the train to Yuma, the posse chickens out.  Bluntly, they fear Wade’s gang will kill them.  The only one who sticks is Evans, who really needs the $200 he’s being offered for the job.  The question is: will Wade make it to the train, or will Evans be killed before finishing the job? Continue reading

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